Artefact - Strona Muzeum Narodowego w Lublinie

Search the collections

Filtruj

Sortuj

1/136

Show:

Nazwa obiektu / tytuł

Inventory number

Author / publishing house

Creation place

Creation date

Type

Technique

Material

Key words

Object added to favorites

Object deleted from favorites

Strona Muzeum Narodowego w Lublinie > Katalog zbiorów > Walking stick

return to results

You don’t have permission to perform this action.

Laska wykonana z drewna, pomalowana na ciemnozłocisty kolor. Rączka w kształcie głowy ptaka o długim zakrzywionym dziobie. Na pozostałej części wyrzeźbione są winogrona i węże oplatające ją. Kij rzeźbiony jest również w podłużne rowki i sęki nadające jej charakter nieobrobionego drewna. Na końcu metalowe okucie. Przez środek przechodzi sztabka żelazna.

unknown (woodcarver), Walking stick

Type:
Creator:
Creation place:
Technique:
Material:
Measures:	Height: 83 cm, Diameter: 2,5 cm
Key words:
Inventory number:	E/36/ML
Location:	The National Museum in Lublin (Lublin Castle), ul. Zamkowa 9, Lublin

Popularizing note

The staff, a symbol of power (see E/1651/ML), was also used for support, accompanying hikers on difficult crossings of rocks, rivers or streams. Shepherds also carried them. They used the walking stick to guide their flocks, keep them in order and, if necessary, protect them from predators. They used the shepherd's staff to point out the direction of the sheep, and to count and punish them.In the 17th century, the decorated staff replaced the sword, carried by aristocrats as a status symbol. Then, until the 1930s, it became a fashion accessory of clothing, alongside gloves, hats or scarves. At that time, it was carried even though it was not often used for support. A lady or gentleman would choose the right one to match his outfit from the several that he owned. Many of them are very elegant specimens with decorative handles.Also, in men's folk costumes, next to belts, leather with brass rings, velvet with colourful embroidery or woven, and a staff with a carved handle was an interesting element. Decorations with a wealth of motifs, whether floral, zoomorphic or anthropological, often appeared all over the object. They were made by rural carpenters (for example Bolesław Rudko from Chmielów in the Parczew region) and sculptors (for example Jakub Madej from Horodzieżka in the Łuków region or Andrzej Siek from Lipiny Dolne in the Biłgoraj region).